St. Leo Dolomite Plaster
St. Leo Dolomite Plaster — Dolomite Plaster · 17 colours · 2 Finishes
Dolomite Plaster is a ready-mixed mineral plaster made in Denmark, suited to interior walls, ceilings, and a range of surfaces. Made from ultra-fine natural dolomite, it carries a deep tonal range and a durable surface texture. Applied ready-to-use with a roller, then worked with a trowel or brush, it forms a fine, natural texture — the kind of imperfection that reads as perfect. Because it's made from natural raw materials, tone and texture vary subtly from batch to batch, giving every space a character genuinely its own.
Nordic Swan Ecolabel certified — environmentally friendly, non-toxic, low VOC.
Herluf Trolles Gade – Stone White sits between white and pale grey, a natural, calm, and timeless backdrop for any interior. Named for a historic street in Copenhagen near Nyhavn, the Royal Danish Theatre, and the canals, lined with buildings known for the city's signature Baroque stonework. Herluf Trolles Gade distills minimalism to its essence, letting the natural beauty of the raw material speak for itself — neutral as a canvas, with a fresh, warm glow.
Via Aurelia – Stone Beige takes its tone from natural stone, between beige and greyish-brown, with a subtle warm undertone. Named for the ancient Roman road built in 241 BC, winding from Rome to Nice by way of Pisa, Genoa, and San Remo. Via Aurelia carries the warmth and spirit of the Italian coast into every surface it covers, shifting character with the light through the day.
Rue Bottero – Warm Beige is a neutral beige with a warm core, simple and versatile, at ease alongside natural materials. Named for a small street in Nice, in the south of France, where museums, cathedrals, and Art Deco residential façades stand side by side in the sun, carrying the light particular to Provence. Rue Bottero balances the stone and sunlight of Nice architecture, bringing an easy, natural texture suited to any interior.
Sundkrogsgade – Mineral Beige is a sand tone with a faint golden undertone, shifting between a fine peach and a bright cream depending on the light. Sundkrogsgade is also a street in northern Copenhagen, home to St. Leo's headquarters — whose own façade is finished in Sundkrogsgade Dolomite Plaster. It seems to carry sunlight indoors, and pairs beautifully with blues and greens.
Via Cenami – Stone Grey is a medium-light grey, a classic and enduring base for any interior. Named for a street in Lucca, the walled Renaissance city in Tuscany, surrounded by cathedrals, churches, museums, and piazzas. Via Cenami pays tribute to the stonemason's craft across Europe's cities — plain, simple, and truly timeless.
Krystalgade – Rose Grey is a blend of organic grey, brown, and rose pigments, changing character with the light. Named for a street in historic central Copenhagen, near the Royal Library, the Round Tower, and a cluster of Neoclassical buildings, each façade taking on its own character under Denmark's gentle sun. An earthy base tone, bringing warm, understated character to walls and ceilings alike.
Bredgade – Honey Beige is a honey tone, inspired by the play of sunlight across architectural form. Named for one of Copenhagen's most celebrated streets, lined with the marble Rococo church, the city's main square, and the Kastellet fortress. Bredgade celebrates the moment afternoon light falls across a building, shifting from soft beige to a bright, warm yellow — a warm, comfortable presence on any wall.
Admiralgade – Noble Blue takes its cue from autumn and winter in Copenhagen's old town — streets, buildings, canals, and sky all held in soft blue-grey. The cobbled street dates to the 16th century, once lined with modest houses built for naval officers. Admiralgade brings a quiet, refined grey to any interior, with subtle hints of blue-green shifting through the light.
Rue Loubet – Pale Clay sits between a pale nude and terracotta, inspired by a street near Aix-en-Provence in the south of France. Soft and easy, it lends any wall a warm undertone of pink, echoing the façades of Provençal houses, museums, and theatres — a friendly, gentle presence for homes, hotels, and retail spaces alike.
Gammel Strand – Dusty Rose is a warm earth tone between grey rose and salmon pink. Named for a historic street in central Copenhagen, lined with colourful 18th- and 19th-century houses, near the vividly painted Thorvaldsens Museum and Christiansborg Palace. Gammel Strand brings a quiet elegance to any interior, without stealing the spotlight from what's inside it.
Prinsessegade – Terracotta is a gentle umber, evoking brick and terracotta, with a deep connection to natural materials. Developed with Norm Architects exclusively for The Audo, and named for a nearby street known for its historic red-brick and grey-rose townhouses. It brings a natural quality indoors, filling a space with warmth and elegance.
Århusgade – Burgundy is a rich burgundy, developed with Norm Architects for The Audo, the hotel and multi-use space in Copenhagen's harbour district. A tribute to the district's industrial character and Neo-Baroque brickwork, its deep red bridges indoors and out, past and present — especially suited to hotel and commercial spaces.
Magstræde – Brick Brown is a natural, warm brown, evoking the timber beams and brick walls of classic Copenhagen townhouses. Named for one of the city's oldest streets, made from carefully blended organic pigments with a faint red undertone that adds depth and character. It can anchor a space or simply sit quietly within it — well suited to hotels and retail.
Via Lovanio – Charcoal is a deep, elegant grey, with the fine texture of graphite and charcoal. Inspired by a street in Milan where classic and contemporary interior design landmarks meet. Via Lovanio gives any interior an atmospheric base, sitting comfortably alongside off-white and equally at home with gold, deep blue, or dark red accents.
Rue Alézard – Granite Grey sits at the dark end of the St. Leo spectrum, a warm grey with remarkable depth and richness, like the character of granite. Named for a street in Toulon, France, known for its buildings of dark grey stone. Applied to an interior surface, it shifts through rich layers of dark grey and black as the light moves.
Ancoats – Industrial Green was developed with the architecture studio YOUTH, named for the district in Manchester where their studio is based. A classic, industrial green, inspired by the dark-green paintwork found on buildings across Ancoats. Deep and rich without losing its restraint, true to tradition — well suited to hotels and retail spaces looking for a confident colour statement.
Silent White – Off-White with Warmth is a soft, quiet white with warmth at its core, bringing a calm and contemplative atmosphere to any room. Created by Tina Seidenfaden Busck.
Application methods
Smooth Finish
| Method | Size | Coverage per tin |
|---|---|---|
| Trowel | 10L | 5–7 ping (approx. 16–23 m²) |
Tactile Finish
| Method | Size | Coverage per tin |
|---|---|---|
| Trowel / brush | 10L | 5–7 ping (approx. 16–23 m²) |
*We recommend two coats of St. Leo Topcoat Five after application, to improve durability and deepen colour.
Notes for application in Taiwan
Dolomite Plaster's factory application instructions are calibrated for European climate conditions. Taiwan's higher temperature and humidity noticeably speed up drying time, so we don't recommend applying with a roller — apply directly to the wall with a trowel instead, to ensure even coverage and the intended texture.
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